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Bibliography

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Briganti, G., The Bamboccianti: The Painters of Everyday Life in Seventeenth Century Rome, (Roma, 1983)
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Articles.
Bedaux, J. B., ‘Fruit and Fertility: fruit symbolism in Netherlandish Portraiture of the Sixteenth and Seventeenth Centuries’, Simiolus, 17 (1987), 150-186
De Jongh, E., ‘Grape Symbolism in paintings of the Sixteenth and Seventeenth Centuries’, Simiolus, 7 (1974), 166-191
De Jongh, E., ‘Real Dutch art and not-so-real Dutch Art: some nationalistic views of Seventeenth century Netherlandish Painting’, Simiolus, 20 (1990-1991)
De Marchi, N. & van Miegrot, H., ‘Art, Value and Market Practices in the Netherlands in the Seventeenth Century’, Art Bulletin, 76 (1994), 451-464
De Marly, D., ‘Undress in the Oeuvre of Peter Lely’, The Burlington Magazine, 120 (1978), 749-750
Duparc, F.,‘Philips Wouwerman, 1619-1668’, Oud Holland, 107 (1993), 257-286
Hecht, P., ‘The debate on symbol and meaning in Dutch Seventeenth Century Art: an appeal to common sense’, Simiolus, 16 (1986), 173-186
Lowenthal, A., ‘Response to Peter Hecht’, Simiolus, 16 (1986), 173-190
Miedema, H., [intro. and commentary], Hoyle, M. [Trans.], ‘Philips Angel: Praise of Painting’, Simiolus 24 (1996), 227-258
Montias, J., ‘Socio-economic Aspects of Netherlandish art from the Fifteenth to the Seventeenth Century’, Art Bulletin, 72 (1990), 558-573
Prak, M., ‘Guilds and the Development of the Art Market during the Dutch Golden Age’, Simiolus, 30 (2003), 236-251
Schloss, C., ‘The Early Italianate Genre Paintings by Jan Weenix’, Oud Holland, 97 (1983), 69-97
Stechow, W., ‘Jan Baptist Weenix’, The Art Quarterly, 11 (1948)
Wallert, A., ‘Ter Borch’s Materials and Methods of Paintings: The Glass of Lemonade’, Zeitschrift fur Kunsttechnologie und Konservierung, 18 (2004)
Westermann, M., ’After Iconography and Iconoclasm: Current Research in Netherlandish Art, 1566-1700’, The Art Bulletin, 84 (2002), 351-372

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